Archive for July, 2021

[Note: This short piece originally appeared in Pendragon (now defunct) but it’s been almost 8 years since it saw print, so I thought I’d throw it up here.]

“Cups! Get your cups here! I’ve got flagons, tankards, skins, and steins! Cups! Get your cups here!”

The old man pushed his cart down the cobblestoned street, his wares clinking and banging together. The sun was just dipping below the city skyline, long and ominous shadows reaching like grasping fingers along the walls and ground.

He stopped outside a tavern, the sign swinging back and forth declaring its name as The Knight of the Burning Pestle. A few younger folk were lounging outside, pipes clutched in teeth. The mayor, in his infinite wisdom, had recently declared smoking inside verboten, citing fears of fires. Most people thought it was because he couldn’t stand the smell of pipe smoke, while he did enjoy taking in the local color at every opportunity.

“What’s that you’ve got there?”  one the smokers asked, pointing to the canvas that covered a number of the cup-maker’s wares.  Given the weapons they carried and the clothes they wore, the old man took them to be adventurers or mercenaries. Wasn’t much difference between the two when you got down  to it.

The old man smiled, resting against the handles of the cart. It was obvious he’d been a large man once in life, and his frame still possessed a large portion of that strength. “Oh, just a few trifles,” he said. 

He pulled aside the cover, revealing a variety of goblets. Each was unique in their grotesquerie, stylized as a severed head, but with gemstones where the eyes were to be. In most cases the lower jaw was missing, having been worked into the base of the drinking vessel.

“You made these yourself?” a woman asked. From her robes and the staff she carried, the old man marked her as a mage.

He nodded. “Took me a long time to get it right, too. Skulls make for a piss-poor vessel you see. All those holes. It’s not just where the eyes were either. There’s the ear holes, the place where the nose used to be, and you have to seal the bottom part neatly too, otherwise all the wine runs out. I found the trick is using something to seal all those little holes. Resin works pretty well, and I found a way to make it stand up to alcohol as well.”

“What? You expect us to believe that those are actual skulls? Ha!” the biggest of the group laughed. His hand rested on a massive broad sword, and his beard was tangled with bits of food and bone. “If that were true, old man, I’d have you killed for a murderer or worse.” He scratched at his beard. “Of course, you could just be a graverobber. That’s almost as bad.”

The old man shook his head. “Oh no, I’ve acquired all of these over the years from the bodies of those that have crossed me,” he laughed. “Ever heard the tale of King Latimer the Friendless?”

A slender man, a lute slung on his back, nodded slowly. “I heard he abdicated his throne ten years ago. There’s rumors he went away, looking to perfect a secret technique and vowing to return to his kingdom when he felt the time was right. Honestly, we’re better off without him. He was a tyrant and a despot of the worst sort.”

The old man grinned, drawing a silver-runed axe from under the cart. “Friendless? Hmm. I suppose. But I did finally figure out how to drink wine from my enemies’ skull, and let me tell you, there are few things as sweet as that.”

The screams that rose that night heralded the return of King Latimer, and that night he earned the new appellation of Skulldrinker, his legend and his infamy echoing down the centuries. 

The Blazing Chief by [Matt Spencer]
Cover to The Blazing Chief

Matt Spencer wraps up his Descembine Trilogy in spectacular fashion, wrapping up the trials and tribulations of Rob Coscan, Sally Wildfire, Sheldon and the rest.

The first part is a bit bloated and drags in places, with the feeling that Spencer had so much he wanted to cram into the book that I’m a little afraid to see what was left on the proverbial cutting room floor. The worldbuilding and detail is highly original, eschewing the typical fantasy standards of elves and dwarves, or their urban equivalents in ghosts and werewolves and vampires. The downside to the originality is that at times stumbles with weaving the backstory into the narrative. If a writer says “vampire” or “werewolf” or “zombie”, you’e got a pretty good idea as to what to expect. But Crimbone? Or Spirelight? It’s going to take a bit to get into it. As a result, there are a number of infodumps that come across as intrusive and overwhelming and wishing Spencer would get back to the action.

And that is where he truly shines – when he cuts loose and lets the action (and blood, and gore) flow. There’s a Robert Howard-esque feel to the violence, less of following each sword stroke and parry, and more for a visceral sense of action and motion. And yes, I’m going to admit a certain bias to that. Some of the gore and viscera at times borders on the gratuitous, as if Spencer is letting out his inner ‘80s splatterpunk self, but it fits with his barbarian type characters – grinning through a veil of blood from their foes.

Spencer also has a more clear-eyed view of his characters this time, the fact that what is viewed as typical heroic (or even superheroic) actions can well be viewed as sociopathic behavior by others, and how some people can be the shining knight and the bloodied berserker all rolled into one. As a result, some of the villains feel like they walked straight out of a death metal album given how how black and gore soaked they can get (looking at you Balthazar).

This is definitely fantasy through a dark lens, at times bleak and hopeless, but it never (in my opinion) goes full grimdark. There are still innocents in this world, and the sides aren’t exactly black on black and at most, the heroes stay a light grey throughout, even when they find themselves at odds with each other.

If you are looking for a fantasy trilogy that’s going to kick you in your teeth, then yeah, this is what you’re looking for.

You can grab a copy at Amazon.