Cameron talks TRUE DETECTIVE in this week’s edition of PULP CONSUMPTION.
True Detective was[1] a short-lived HBO anthology series, with each season covering a different plot, sort of like American Horror Story on FX. That’s where the comparisons with the longer-lived show end. True Detective combines multiple sub-genres within pulp, including noir, saucy sex, and supernatural horror, and uses a framing device of police interviews to weave together a complex non-linear narrative into a coherent whole, in much the same way that Quentin Tarantino and Christopher Nolan have done with Pulp Fiction and Memento, respectively. This sort of device shows up frequently in literature and film, including pulp, though it becomes far more widespread after Citizen Kane and Rashomon.
The two main characters are Louisiana detectives investigating the possible resurgence of a dormant serial killer. The show is set against the backdrop of a dilapidated and decaying urban infrastructure filled with corruption, decadence, and possible devil worship, all…
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